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・ Pedro Mariano
・ Pedro Marieluz Garces
・ Pedro Marin
・ Pedro Jesús Rodríguez
・ Pedro Jiménez León
・ Pedro Joaquin Mendoza Caballero
・ Pedro Joaquín
・ Pedro Joaquín Chamorro Alfaro
・ Pedro Joaquín Chamorro Cardenal
・ Pedro Joaquín Coldwell
・ Pedro Joaquín Galván
・ Pedro Joel Pereira Silva
・ Pedro Jorge Ramos Moreira
・ Pedro Jorge Santos Santos
・ Pedro Jorge Vera
Pedro Joseph de Lemos
・ Pedro José Amadeo Pissis
・ Pedro José Barrancos Miras
・ Pedro José Cevallos
・ Pedro José de Arteta
・ Pedro José de Galíndez
・ Pedro José de Zavala, 7th Marquis of Valleumbroso
・ Pedro José Domingo de Guerra
・ Pedro José Escalón
・ Pedro José Figueroa
・ Pedro José Greer
・ Pedro José Lorenzo Galán
・ Pedro José Moreira Silva
・ Pedro José Pidal, 1st Marquis of Pidal
・ Pedro José Rada y Gamio


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Pedro Joseph de Lemos : ウィキペディア英語版
Pedro Joseph de Lemos

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Pedro Joseph de Lemos was an American painter, printmaker, architect, illustrator, writer, lecturer and museum director in the San Francisco Bay Area. Prior to about 1930 he used the simpler name Pedro Lemos or Pedro J. Lemos; in 1931 he officially changed the family name to de Lemos, believing that he was related to the Count de Lemos, patron of Cervantes. Much of his work was influenced by traditional Japanese woodblock printing and the Arts and Crafts Movement. He became prominent in the field of art education, and he designed several unusual buildings in Palo Alto and Carmel, California.
==Early life and education ==
Pedro's parents had emigrated from the Azores in 1872. His father Francisco (or Frank) was a shoemaker. Pedro was born on 25 May 1882 in Austin, Nevada. The family settled in Oakland, California in 1888. Pedro and his brothers Frank and John all followed careers in art.
As a teenager he studied art intermittently with Harry Stuart Fonda, Emile Gremke, and Mary Benton and at the California School of Design (now the San Francisco Art Institute). He returned to the latter school in 1910-11 and studied under Charles Judson, Harry Seawell, and Alice Chittenden. In 1913 he studied in New York with George Bridgman at the Art Students League and with Arthur Wesley Dow at Columbia.

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